"Draw the blanket of the ocean's face frozen. Lies with eyes shining quarries fish, looking through the green sea glass freezing in the northern lights is now a child in the land of Christmas: watching, amazed bears while tumbling and diving seal. wind iron rings round the polar caps, the five-pointed stars on the sea Burns dog in silence, and the three ships come sailing in. "-Charles Causley
Ultrafine Opaque Glitter, like acrylic paint, is heavily pigmented. The “jewel” tones are intense, bountiful, and full bodied. It is the glitter choice for rich reds, nugget golds, butterfly blacks, Christmas greens, and luscious purples. You can even use Ultrafine Opaque Glitter on color backgrounds; the color of the glitter will not be affected.Ultrafine Opaque Glitter is made of non-toxic polyester. However, certain colors do have metallics added: copper canyon, hot lava, ice, Inca gold, light gold, persimmon, sand, sea, and yellow.Ultrafine Opaque Glitter comes in 1/2 oz. jars.
Let your art “sparkle” with acid free, non-settling Stickles glitter glue Easily write, dot, dash, draw and embellish on paper and rubber stamping projects, candles, memory album covers and moreThe glue is acid-free, non-toxic, and non-settling. It washes off with water for easy clean up.Stickles glue is available in .5 oz. fine point applicator tip bottles.
A clear acrylic paint loaded with large flakes of bright, shiny glitter. This brush-on glitter is the easiest and best way to add glitter to any project: the clear base makes it easy to see where you are brushing and is less messy and more accurate than sprinkle-on glitter. Craft Twinkles can be used for many crafts and projects – frames, lamps, vases, candles and candle holders, ornaments, and other holiday crafts. For use on almost any porous surface except washable fabric.Craft Twinkles Glitter Paint comes in 2 oz. bottles.
A clear acrylic paint loaded with large flakes of bright, shiny glitter. This brush-on glitter is the easiest and best way to add glitter to any project: the clear base makes it easy to see where you are brushing and is less messy and more accurate than sprinkle-on glitter. Craft Twinkles can be used for many crafts and projects – frames, lamps, vases, candles and candle holders, ornaments, and other holiday crafts. For use on almost any porous surface except washable fabric.Craft Twinkles Glitter Paint comes in 2 oz. bottles.
I gave my dog two different brands of Heart Worm treats. The first one was the wrong brand. But then I have him Heart Guard. Was that a bad idea to give him both? or will he be okay?
please answer ASAP
The products are BOTH from the vet.
You need to clarify a little bit….
You gave him 2 doses at once? If so, then I would call the vet to see if you overdosed him.
Or, you gave him the one brand last month, and now he’s due for the next one, and you gave him the Heart Guard? If so, that should be fine. I would just read through the instructions to make sure they have the same time period for dosages, think it’s 30 days for Heart Guard. They should also have the ingredients and amount of ingredients listed on the boxes, compare to see if they’re the same thing or not as well.
20 Dogs – Funny Song for Kids Naming 20 Different Dogs
French rock & roll is usually heaped with ridicule, deservedly so for the most part. There are exceptions of course like Jacques Dutronc and Plastic Bertrand’s “Ça Plane Pour Moi.” Add to that list the tough and melodic post-punk/new wave/power pop group the Dogs. Their debut record from 1979, Different, is a little gem of a record full of spiky guitars, frantic tempos, and solid songcraft. The disc sounds like a lost Only Ones record; singer Dominique Laboubee has a world weariness in both his voice and his lyrics similar to that of Peter Perrett. At the band’s best, on tracks like “Stranger Than Me,” “A Different Me,” the aching ballad “The Greatest Gift,” and the Buddy Holly-esque “(I’m Gonna Learn To) Live With It,” they almost reach the heady level of the Only Ones or the Real Kids. The only thing holding them back is too much restraint and cleanliness in the production of the record. Still the record deserves to be heard by fans of classic post-punk songcraft and power pop hooks. It’s a perfect rejoinder to anyone who says the French can’t rock. [The album was reissued in 2003 with a raft of bonus tracks, including three songs from their 1977 Charlie Was a Good Boy single and five tracks from the 1978 EP Go Where You Wanna Go. The songs from 1977 lack the studio polish of the album and are really good, especially the pounding "19." The EP tracks are closer in sound to the album but possess a touch more energy and verve; the songs are on par as well. "Go Where You Want to Go" is a stately rocker that calls to mind mid-period Flamin' Groovies and features some of the band's best guitar work. "You're Gonna Loose Me" sounds like a lost Heartbreakers song with some very Thunders-like guitar. These tracks are a perfect addition to an already great album.] ~ Tim Sendra, Rovi
A Different Me offers more dimensions, from lyrical and production standpoints, than Keyshia Cole’s first two albums. Everything she recorded prior to this came from some degree of pain. Even though Just Like You’s “Heaven Sent” was as beatific as anything else on the charts throughout 2008, its sentiment came more from a sense of relief in the wake of relationships gone sour, and “Let It Go” was made for the club but dealt with “roaming dogs.” Overall, this is Cole’s most free-spirited and adventurous album to date, and it is not without its stretches where reach exceeds grasp, like the jazzed-up, over-busy statement of purpose “Make Me Over” and the surprisingly saccharine “This Is Us.” Yet there’s a core of at least seven songs here that rate as highly as the best from the first two albums, and they’re anything but reheated. “Don’t Stop” beams with energy and pure, uncomplicated joy. “Oh-Oh, Yeah-Yea” is yearningly seductive, from Cole’s pleas to its drawn-out tides of strings. In “Thought You Should Know,” she doesn’t drop her guard entirely while revealing more vulnerability than ever. “No Other” is the only track that sounds cut from the same cloth as Just Like You, and the resemblance is only in sound, with the equally urgent and sweepingly dramatic “Shoulda Let You Go” a definite reference, but the emotions between the two are starkly contrasting, with regret exchanged for aching desire. Cole pushes herself into new territory and becomes a more versatile songwriter and vocalist in convincing, frequently thrilling, fashion. Here’s where the comparisons begin to fade away. ~ Andy Kellman, Rovi Performers: Frank Wolf – Strings; Ron Fair – Harmonica, Vibraphone, Organ, Vocals; Dan Higgins – Flute; Ester Dean – Vocals; Jason Perry – Drums; Johnnie “Smurf” Smith – Keyboards; Josh “Guido” Rivera – Guitar; Josh Rivera – Guitar; Keyshia Cole – Vocals;
Jackals, dingoes, foxes, wolves, coyotes…about 35 different species, all with special adaptations to intrigue and delight. Available in English and Spanish.
Man’s Gin is a project by Erik Wunder, best known to underground metal fans as the instrumental half of the highly regarded black metal group Cobalt. This sounds very different from that band’s work, though; it’s dominated by acoustic guitar, piano, upright bass, and drums, and is strongly influenced by country and the quieter, moodier side of Southern rock. It has its own lurching rhythm, closer to fife and drum music than rock, and Wunder’s vocals are powerful, but clearly driven more by the need to get something out than to exploit refined technique; on “Free,” he’s chanting more than singing, over thumping, boxy drums and guitars that sound just slightly out of tune. When an electric guitar emerges halfway through the song, it’s a thin, staticky buzz that brings no catharsis. “Stone on My Head” has the full-speed-ahead power of early rock & roll, but the ominous, doubled vocals give it a creepy power, like the band in a bar knows a fight’s about to break out and is trying to make it worse before it gets better. Meanwhile, “Hate.Money.Love.Woman.” has the stark beauty and vocal harmonies of classic country-folk. This is a multifaceted but unified album that has its own unique drive and power, and it might well appeal to people turned off by the noisy black metal of Cobalt. ~ Phil Freeman, Rovi
